{"id":1527,"date":"2024-01-20T11:24:10","date_gmt":"2024-01-20T10:24:10","guid":{"rendered":"https:\/\/www.zerialartproject.com\/?p=1527"},"modified":"2024-01-20T11:26:18","modified_gmt":"2024-01-20T10:26:18","slug":"in-deep-la-profondita-dello-sguardo","status":"publish","type":"post","link":"https:\/\/www.zerialartproject.com\/en\/in-deep-la-profondita-dello-sguardo\/","title":{"rendered":"IN DEEP- LA PROFONDITA’ DELLO SGUARDO"},"content":{"rendered":"

Catalogo_In deep<\/a><\/p>\n

In deep \u2013 la profondit\u00e0 dello sguardo
\nMagazzino 26 \u2013 Porto Vecchio of Trieste
\nManuela Sedmach, Paolo Cervi Kervischer, Luigi Tolotti
\nCurated by Valerio Deh\u00f2
\n1 August – 12 September 2021<\/p>\n

The exhibition \u201cIn deep \u2013 la profondit\u00e0 dello sguardo\u201d realized by Zerial Art Project in coorganization
\nwith the Culture Department of the Municipality of Trieste in Magazzino 26, from 1
\nAugust to 12 September, curated by Valerio Deh\u00f2, presents a selection of works by Manuela
\nSedmach from 2005 to today, works by Paolo Cervi Kervischer exhibited in the 1980s in Austria
\nbetween Graz and Klagenfurt, and light boxes multimedia by Luigi Tolotti.
\nThe idea that unites the three artists is the search for a depth in their work that acts as a search
\nengine and technical language. Going to the bottom of things and looks is understanding that every
\nsurface hides a universe. That there is always something behind the mirror. The artists from Trieste,
\nall with experience and proven professionalism, while using different and original languages, are
\nalways driven by the desire to go beyond the threshold, to attribute to the images they create or
\ncompose a provisional point of arrival. They are always looking for something that cannot yet be
\nseen, but can be guessed. Two painters and a multimedia artist thus find themselves brought
\ntogether in an extremely interesting exhibition because it contrasts points of view, stimulates
\ndialogue, preserves individuality without compromising the symbolic exchange between the
\nexhibited works. An exhibition in which the game between seeing and thinking remains suspended,
\ncaptures the visitor who is invited on an initiatory journey into art, its images, its eternal references
\nto what cannot be seen but which is there through artists and their works.
\nPaolo Cervi Kervischer created a series of works in the 1980s in which one senses an atmosphere of
\nanticipation of an event that could happen at any moment. Something explosive and sensational. His
\npictorial eclecticism has never placed him definitively within a figurative or informal trend. He
\nworks by measuring archetypes such as water and fire with his own personal history, in a
\ncontinuous exchange of inexhaustible expressive research. His choice is rather to oscillate in an
\nexpressive freedom without margins or fences. His gestural painting rediscovers myths and
\nmemories without sinking into quotation, but giving a vital impulse to a painting that becomes the
\nUniverse.
\nLuigi Tolotti’s work sees the confluence of different image techniques taken from the media world
\nor even from his own personal family history. His works therefore become superpositions of images
\nin which unusual and surprising associations are hidden, a wolf can hide Joyce, a Christ by Giotto
\ninstead a pop singer, as in “Cantica XXI” dedicated to Dante. Tolotti stages an eternal present in
\nwhich the icon-images are signs that develop in a dizzying way, while each one always retains its
\nown identity. Each image contains others, the effect of the colored LEDs makes the individual
\nframes appear or disappear, in an immersive combination to which a dedicated sound also
\ncontributes.
\nManuela Sedmach searches for depth within the pictorial surface by working on dozens of layers of
\npaint and distancing herself from color. She herself stated: “In the 1980s, painting was done from
\nthe canvas up, now it starts from the canvas and goes in depth.” The exhibition features works from
\nthe last 15 years in a selection particularly attentive to provoking comparisons and shifts in her
\npoetics. The whites and grays mark the search for a light that covers and reveals the world around
\nus at the same time. A poetry of the gaze that does not reject figuration, but exalts it by raising the
\nthreshold of perception. Each painting is a slow construction into which the gaze must penetrate to
\ndialogue with the painting.<\/p>\n

Exhibition opening 31 July 2021 at 6:00 pm
\nThe exhibition will be open from 1\u00b0 August to 12 September 2021 with the following hours:
\nfrom Thursday to Sunday 5:00 pm -8:00 pm
\nFree entrance
\n\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"<\/p>\n

\"\"<\/p>","protected":false},"excerpt":{"rendered":"

In deep \u2013 la profondit\u00e0 dello sguardo
\nMagazzino 26 \u2013 Porto Vecchio of Trieste
\nManuela Sedmach, Paolo Cervi Kervischer, Luigi Tolotti
\nCurated by Valerio Deh\u00f2
\n1 August – 12 September 2021<\/p>\n","protected":false},"author":3,"featured_media":1528,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[30,38],"tags":[],"_links":{"self":[{"href":"https:\/\/www.zerialartproject.com\/en\/wp-json\/wp\/v2\/posts\/1527"}],"collection":[{"href":"https:\/\/www.zerialartproject.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.zerialartproject.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.zerialartproject.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.zerialartproject.com\/en\/wp-json\/wp\/v2\/comments?post=1527"}],"version-history":[{"count":4,"href":"https:\/\/www.zerialartproject.com\/en\/wp-json\/wp\/v2\/posts\/1527\/revisions"}],"predecessor-version":[{"id":1551,"href":"https:\/\/www.zerialartproject.com\/en\/wp-json\/wp\/v2\/posts\/1527\/revisions\/1551"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.zerialartproject.com\/en\/wp-json\/wp\/v2\/media\/1528"}],"wp:attachment":[{"href":"https:\/\/www.zerialartproject.com\/en\/wp-json\/wp\/v2\/media?parent=1527"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.zerialartproject.com\/en\/wp-json\/wp\/v2\/categories?post=1527"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.zerialartproject.com\/en\/wp-json\/wp\/v2\/tags?post=1527"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}